Admire Kamudzengerere

Born 1981, Zimbabwe
Lives and works in Harare, Zimbabwe
Admire Kamudzengerere
Installation view: Portraits & Paintings, Catinca Tabacaru Gallery, 2026
Admire Kamudzengerere
Installation view: Portraits & Paintings, Catinca Tabacaru Gallery, 2026
Admire Kamudzengerere
Installation view: Portraits & Paintings, Catinca Tabacaru Gallery, 2026
Admire Kamudzengerere
Installation view: Our Father’s Inheritance Does Not Allow Us To Sleep, National Gallery of Zimbabwe, 2025
Admire Kamudzengerere
Svikiro, 2024
Oil, ink, litho and silkscreening on canvas
140 cm x 100 cm
Admire Kamudzengerere
Installation view: Unmasking, monotypes on post-Its, 1.8×4.5 m, Catinca Tabacaru New York, 2017
Admire Kamudzengerere
Tawanda (We have become many) & Tanaka (We have become beautiful), 2017
silkscreen on monotype
174 × 90 cm
Admire Kamudzengerere
Fading (diptych), 2019
Monotype, silkscreen and litho on paper | silkscreen on paper
99 × 140 cm
Admire Kamudzengerere
DUST (dyptych), 2017
Silkscreen on monotype
89 × 66 cm (each)
0:00 / 0:00
Identity, 2012
Single channel video, 14:18 min
Admire Kamudzengerere
Installation view: Voters Roll, ink, acrylic, crayon and glue on phone book pages, 10 × 18 ft 3 × 5.5 m, Kunsthaus Hamburg, 2019
Admire Kamudzengerere

Registrar, 2018 (detail)

These oil, ink and earth works on paper are made on old Harare phonebook pages collated together in textile-like manner. Kamudzengerere collects earth from different parts of the country and mixes it with an archival oil medium. He then puts a patch of the mixture in front of him, on a table or the floor, and draws into the patch with a stick or the back of a brush. He then picks up the impression with the phonebook paper. Essentially each portrait is a monotype print.

Rachel Monosov and Admire Kamudzengerere
Lake Chivero, Aug 31,1972, 2017
Archival print, 8 × 12 inches
1972, 2017
16-piece performance-based photographic work

A work of performance and photography, 1972 offers an archive of images and text documenting the imagined interracial marriage of a Jewish woman and a Zimbabwean man in rural Zimbabwe in 1972. In reality, 1972 was a tumultuous year in Zimbabwe, as a guerrilla-style war of independence escalated and the intermingling of the races was challenged and driven underground by social pressures and government intervention. Together, the photographs and cards, rendered in a style drawn from the past, attest to an intimate personal and domestic narrative, a story “both believable and unbelievable at the same time,” says Monosov. The black and white prints also serve as photographic self-portraits, as in the course of their creation the artists married, lived together, and built a house in Zimbabwe.

Admire Kamudzengerere and Rachel Monosov
Transcultural Protocol, performance in collaboration with Rachel Monosov,2017

Artists’ Note: At that moment sitting and talking under the muhacha tree, it seemed so natural to collaborate. Inspired and invigorated, we started to explore our boundaries, attesting to our own inner egos. What seemed to be our vast differences became our mutual connection binding our understanding of humanity. Gradually we became aware of one another’s individual, maybe even selfish artistic pursuits. Armed with this new knowledge, we unfolded issues relevant and irrelevant to the piece, yet similar within our two cultures. Day and night, time ceased to exist. We were changing, evolving through one another’s concepts and reflections.

Admire Kamudzengerere’s work explores identity, politics, and society, often informed by the multifaceted structural and social issues that have marked Zimbabwe’s last decade. Working in various media, he frequently reveals an unequal world in which the powerful ride roughshod over the weak.

Kamudzengerere completed the Rijksakademie van Beeldende Kunsten program in Amsterdam (2012). He mounted his first solo exhibition at Catinca Tabacaru New York in 2017, and that same year represented Zimbabwe at the 57th Venice Biennial. His work has was included in four additional international Biennials: Moscow (2013), Bamako (2017), Dakar (2018), and Cairo (2019). In the past two years he has been awarded two art fair prizes, the Purchase Prize by Northern Trust at EXPO Chicago (2017), and On Demand Prize by Snaporazverein at MiArt Milan (2018).

In addition to private collections around the world, Kamudzengerere’s work has been acquired into the permanent collections of the National Gallery of Zimbabwe, the Block Museum at Northwestern University, and The Art Institute of Chicago.

Education

2012
Rijksakademie van beeldende kunsten, Amsterdam
2003
National Gallery of Zimbabwe, Visual Arts Studios, Harare
Atelier Gallery Delta, Helen Lieros Lessons, Harare, Zimbabwe

Museum Exhibitions

2024
Project a Black Planet: The Art and Culture of Panafrica, Curators: Matt Witkovsky & Antawan Byrd, The Art Institute of Chicago, USA (forthcoming)
National Gallery of Zimbabwe, Harare; Catalogue: Percy Zvomouya (forthcoming)
2023
Long-Distance Friendships, 14th Kaunas Biennial, curated by Inga Lace and Alicia Knock, Kaunas, LT
2021
Who Says, Who Shows, What Counts, Block Museum of Art at Northwestern University, Illinois (catalogue)
2020
Stasi Frenetica, Palazzo Madama, Museo Civico d’Arte Antica, Torino; Curator: Ilaria Bonacossa
2019
Permanent Collections Gallery, Art Institute of Chicago; curators: Antawan Byrd & Matt Witkovsky
hybrID, Kunsthaus Hamburg, Curator: Anna Nowak
CTG: Finland, Serlachius Museum, Mantta, Finland; Curators: Catinca Tabacaru & Raphael Guilbert
2018
FIVE BHOBH – Painting at the End of an Era, Zeitz Mocaa, Cape Town
Meeting Of The Minds, National Gallery of Zimbabwe, Harare; Organizer: Mondrian Foundation & The Netherlands Embassy
Unknowing Knowns | Knowing Unknowns: (UNFINISHED), National Museum of Art, Bucharest, Romania
NEW FEELINGS: Transformative Play and Discourse on Photography from a Diasporic Perspective, Center for Contemporary Art & Culture
(PNCA), Portland, USA; Curator: Modou Dieng
2016
Zig Zag Zim, National Gallery of Zimbabwe, Harare; Curator: Catinca Tabacaru
2010
Harare International Festival of Arts, National Gallery of Zimbabwe
The Fifth Column, The National Gallery of Zimbabwe, Harare (solo)
Modern Art of Zimbabwe, The Korea Foundation Cultural Centre, Seoul

Solo & Two Artist Exhibitions

2022
The Space Between, The Over Gallery, Barcelona, Spain
2021
Haipere nyaya yacho (with Troy Makaza), Catinca Tabacaru, Bucharest
Ipapo Ipapo, Galleria Anna Marra, Brussels
2019
Inside/out, Catinca Tabacaru Gallery, New York
2018
1972 (with Rachel Monosov), Catinca Tabacaru Gallery, New York
2017
I am gonna…you. Till you run., Catinca Tabacaru Gallery, New York
2014
Antipathy, Gallery Delta, Harare, Zimbabwe
2010
Variations in the game, Gallery Delta, Harare, Zimbabwe

Biennials

2023
14th Kaunas Biennial: Long-distance Friendships, Lithuania; Curators: Alicia Knock & Inga Lāce
2019
13th Cairo Biennial: Eyes East Bound, Egypt; Curator: Ehad Labban
2018
13th Biennial of Contemporary African Art: The Rebel, Dakar, Senegal; Curator: Simon Njami
2017
11th Biennale of African Photography: Afrotopia, Bamako, Mali; Curator: Marie-Ann Yamsi
57th Venice Biennial, Zimbabwe Pavilion: Deconstructing Boundaries: Exploring Ideas of Belonging, Italy; Curator: Raphael Chikukwa
2013
5th Moscow Biennale of Contemporary Art, Special Projects: Playing Nature, Moscow, Russia; Curator: Katia Krupennikova

Selected Group Exhibitions

2022
Group Show, Rele Gallery, LA, USA
2020
CTG Collective: Berry Eaters, Catinca Tabacaru, CTG Harlem, NY
Messe in St. Agnes #2, König Galerie, Berlin
2018
Fear of Change: true scenes and flat screens, Site131, Dallas, TX
2017
Transcultural Protocol, ThalieLab Art Foundation, Brussels, Belgium; Curator: Nathalie Guiot
Mono|Chrome, Miriam Shiell Fine Art, Toronto, Canada
2016
Zig Zag Zim, Catinca Tabacaru, New York
2014
Galerie Sanaa, Utrecht, The Netherlands
2013
3 Man Show, Gallery Delta, Harare, Zimbabwe
Select Collection, Gallery Delta, Harare, Zimbabwe
Galerie 23, Amsterdam, The Netherlands
2012
Past and Present – A Retrospective Insight, Gallery Delta, Harare
2011
Islamic International Festival of Art, Gorgan, Iran
Unleashed: 3 Man Exhibition, Gallery Delta, Harare
Color Africa, Munich, Germany
2009
Zimbabwean Contemporary Arts, Dakar, Senegal
2008
Between in Line, Avignon University, Avignon, France
2006
Rembrandt: An African Response, Gallery Delta, Harare
2005
Don Quicote, An African perspective, Gallery Delta, Harare
2004
Seven Contemporary Young Artist, Gallery Delta, Harare
2003
Young Artist exhibition, Gallery Delta, Harare, Zimbabwe

Residencies

2022
Gaudi’s Casa Vicens Artist-In-Residence
2019
Serlachius Museum, Finland
AGA Lab, Amsterdam, The Netherlands
Kulturkontakt Austria Artists-in-Residence Programme, Vienna, Austria
2017
Triangle Arts Association, Brooklyn, New York
CTG-R: Zimbabwe, CTG Collective in collaboration with Dzimbanhete Arts Interactions, Harare, Zimbabwe
2016
Guns and Rain, Johannesburg, South Africa
2015
CTG-R: Zimbabwe, CTG Collective in collaboration with
Dzimbanhete Arts Interactions, Harare, Zimbabwe
2014
Thami Mnyele Studios, Amsterdam, The Netherlands

Fellowships And Awards

2019
Mack First Book Award (Shortlist)
2018
On Demand by Snaporazverein, miart, Milan
2017
Northern Trust Purchase Prize, EXPO Chicago
2012
Ministeria van Buitenlandse Zaken – ICE
2011
Hivos Foundation, Artist Mediation and Travel Support
2010
The Fifth Column solo exhibition grant, Culture Fund, Zimbabwe
2008
Francophone Exhibition, Second Prize in Drawings, Graphics and Prints, Gallery Delta
First Prize, Post Election Selection in Drawings, Graphics ​and Prints, Gallery Delta
2007
The Land, Gallery Delta, Paintings Category, Second Prize
2006
Spanish Embassy, First Prize for Best African Perspective, Don Quixote 400th Birthday
Netherlands Embassy, Third Prize for An African Response, Rembrandt 400th Birthday

Selected Collections

The Art Institute of Chicago
Block Museum at Northwestern University
National Gallery of Zimbabwe
Dokolo Collection, Uganda
Rijksakademie van beeldende kunsten, The Netherlands
Fondation Blachère, France
US Embassies
The Scheryn Art Collection
Ackland Museum of Art, University of North Carolina at Chapel Hill
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